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It seems there has always been a
fascination with Marilyn Monroe
look-alikes – especially with a
look-alike who can pull the whole image together and really give us a
living glimpse of the character Norma Jeane created so many years ago.
A successful caricature of the SYI girl or
Lorelie from Gentleman Prefer Blondes rarely fails to give pleasure!
Being a fan of Marilyn’s is a complicated business – there are three
people involved, Norma Jeane, Marilyn Monroe and Marilyn – Norma Jeane
was a young girl/woman full of promise and eager to reach for the
stars, to maximise her potential during a time in Hollywood where
possibilities were limitless, Marilyn Monroe was the character, the
entertainer the identifiable icon. Marilyn was the soul searcher, the
student of life, woman in her prime who had outgrown both Norma Jeane
and indeed Ms Monroe. Having observed many look-alikes, the most
successful is not trying to impersonate Marilyn or Norma Jeane –
she is giving a
performance based on Marilyn Monroe – Marilyn sang and performed as an
actress – not as herself!
Judging by look-alike agencies and
websites bursting with enthusiastic ‘Marilyn’s’ public today still
appreciate a well made diamonds dress and a hearty joyful rendition of
Diamonds Are A Girls Best Friend! Going back in time another fan of
the Marilyn look-alikes was none other than the great Joe DiMaggio
himself – Marilyn’s former husband took the break up of their marriage
as a heavy blow – from which he never wholly recovered.
As a celebrity
in his own right and an exceedingly eligible bachelor, DiMaggio was
often asked to judge or attend beauty competitions and could often be
seen with the latest blonde ‘Miss America’ on his arm. One in
particular, Marian McKnight a 5’5 blonde Miss South Carolina, caught
Joe’s eye when she was crowned Miss America in 1957 – during the
talent part of the competition she astounded everyone with her
impersonation of Marilyn Monroe,
she had previously intended to act out a dramatization of Joan of Arc
but changed her mind for the finals where acted out a parody with her
college roommate and former Miss America contestant Martha Dean
Chestnut Hines of a scene from GPB’s Martha taking the part of Jane
Russell’s Dorothy, she then
sang “Bye Bye Baby”. Joe watched during dress rehearsals and was
smitten. It was reported by the press that he ‘laughed and cried at
Marian’s act’ Marian herself said “Then he closed his eyes and said,
‘that’s my wife on stage!’”
Marian did not meet DiMaggio during the pageant, (though Richard
Cramer in his biography ‘Joe DiMaggio - The Hero’s Life’ does claim
that he went backstage to meet her) but met him later when he, as a PR
director for a manufacturing company in Virginia, offered her a job.
She worked with him for two years. “I was impressed by the fact that
he came,” she said. “He was older than I, a very sweet man, down to
earth. I was never a fan of baseball; Joe and I were good friends, not
really close friends.”
Marian wasn’t the only person constructing
her career by borrowing from Marilyn. During these years there was a
plethora of MM acts and if he could do so without publicly drawing
attention to himself – Joe wanted to see them all!
Liz Renay was another
artist that had won a Marilyn look-alike competition with
Twentieth-Century Fox that took her to Hollywood where she managed to
secure some minor bit parts. Liz had a brief liaison with Joe, saying
that “His friends said he tried to get glimpses of his Marilyn by
looking at me… Joe DiMaggio, was not only a good lover but a nice,
likeable guy – a real gentleman”
Yet another of Joe’s ‘Marilyn’s’ was Dixie
Evans who had a reputation as ‘The Marilyn Monroe of Burlesque’ Her
act was a casting couch skit. Dixie was the actress; she took her
clothes off and got the part!
During the late 50’s Dixie was working
Miami Beach, at the Place
Pigalle. An aeroplane would fly over the beach hotels towing a banner
that read “see the Marilyn Monroe of Burlesque, Place Pigalle” It
would always fly past the Fontainebleau where all the celebs of the
day stayed, those that went to see Dixie included Sinatra, Bogart,
Walter Cronkite and Chris Schenkel who suggested that she should come
to the Kentucky Derby. He announced her coming in “Ladies and
Gentlemen, it’s Marilyn Monroe! Oh, my mistake, it’s Dixie Evans!
She’ll be playing at the Post and Paddock this evening” They all loved
her act which involved Joe and his bat!
One night at the Pigalle the owner came
over to Dixie’s table and told her Joe DiMaggio was in attendance, and
wanted to talk to her. Dixie said Joe was a gentleman and suddenly as
she sat there – she realised she would be performing in front of him
and was worried about what Joe would make of her skit and confessed to
him that she was concerned, to which he replied “why do you think I
came here?” with this Dixie got up and did her thing, which was:
She entered in a tight
satin gown, a long scarf, and a Yankee cap, with a number 5 on it –
and crying, boo-hooing, which mood she explained in song:
“Joe,
you walked off and left me flat – but I’m sure glad you left your
bat…”
There were a few lines about baseball and
spaghetti, and how he’d stopped in the middle of making love to say
“what’s the score?”…
“But I know…
You’ll still return my calls
Why? It’s simple – I’ve still got you
By your New Yankee base – (badaboomcha
strike up the band)…
Afterwards, when she came out from her
dressing room, Joe stood up and motioned her over. She sat with him
all night. He didn’t say much, he never mentioned the act, or talked
about Marilyn. But he kept sneaking glances at Dixie, checking her out
and he stayed until she’d done her last set at 4.45am then invited her
to breakfast.
However, their relationship never got off
of the ground and didn’t go past kissing. They apparently arranged a
further date but unfortunately, Dixie was due in court for some
misdemeanour that she had forgotten about and was unable to let Joe
know and she never saw him again.
1I’m
using the term ‘she’ in respect of all look-alikes but I’m fully
aware there are many male artistes that portray Marilyn Monroe
amazingly well – which I will be discussing at a later date)
Diana Dors - England's answer
to Marilyn
Monroe?
The
name Diana Dors is synonymous with Marilyn Monroe and Blonde
Bombshells – through the decades there has been a constant comparison
between these women and just mentioning Diana will bring forward
statements such ‘Britain’s answer to Marilyn Monroe’ and ‘the English
Marilyn Monroe’
Loving Marilyn was fortunate in obtaining
information from Paul Sullivan about this, Paul is quite an authority
on Diana, having been a fan for several years he assisted TV
productions companies with information for their documentaries and
taken part in the Channel 4’s program “ICONS” which looked at the
impact Diana had on post war Britain.

He told Loving Marilyn that “Diana was
very aware of the comparisons (between herself and Marilyn) however,
it was Veronica Lake who influenced Diana and probably her style. By
1952 Diana was already a veteran of about 19 British films and was
already very well known as a ‘Honey blonde’ it was early in 1952 that
Diana went Platinum, but her hair was always much longer and very
different to that of Marilyn’s.
They
never got to meet, when Diana went stateside by boat, Marilyn was on
her way over by Air to the UK. I think Diana tired of being compared
to Marilyn. Britain being a small country, films during the 40’s and
50’s were not as popular in the USA as American films were here,
therefore, English fans were able to see both actresses and compare,
whereby stateside, Diana was fairly unknown when she arrived!”
Jayne Mansfield – ‘The Poor Man’s
Marilyn Monroe’?
Another Hollywood starlet that was
considered a competitor for Marilyn’s blonde bombshell crown was Jayne
Mansfield. Born in 1933, Mansfield set out with steely determination
to make something of herself in Hollywood – noting Marilyn’s assets,
Jayne took on board the look but only managed to become a parody
rather than any real threat to Monroe, though Fox would often wave
Jayne at a misbehaving Marilyn as a possible successor!
Much like the press today, the
journalists' of the 1950’s would also build people up to knock them
down
–
When
she joined the Actors Studio the press felt Monroe had begun to have
ideas above her station – so on the one hand they condemned her as a
bad actress, whilst on the other hand they ridiculed her for wanting
to improve, Marilyn was in a no win situation. In 1956 a book was
published by journalist Peter Martin who had previously interviewed
Marilyn for the ‘Saturday Evening Post’ using these interviews the
book was titled ‘Will Acting Spoil Marilyn Monroe’
Playwright George Axelrod, who
wrote The Seven Year Itch, displayed very open resentment towards
Marilyn’s endeavour to improve her acting skills by spoofing Marilyn
in his next stage play, the comedy ‘Will Success Spoil Rock Hunter?’
This starred Jayne Mansfield and ran for 444 performances on Broadway
in 1955. In 1957 it was made into a film with Jayne playing the part
of Rita Marlowe a Hollywood Pinup/Starlet who attempts to set up her
own production company (Marilyn Monroe formed Marilyn Monroe
Productions with Milton Green in 1954) it was widely viewed as a
caricature of Monroe. Marilyn herself attended a performance and
according to the author of ‘The Many Lives of Marilyn Monroe’ Dr Sarah
Churchwell, Monroe did not find the play funny and told Axelrod simply
and without elaborating ‘I saw your play’.
Jayne was interviewed by Lawrence J
Quirk in 1957 and is reported to have said to him “Marilyn thinks of
me as her rival – I know it unnerves her” she went on to say that
Marilyn had gone ‘arty’ but that she (Jayne) would win the hearts of
the public. “I’ll be here for the long-haul, you’ll see – I know just
what I’m doing” When she was asked if she felt it demeaning to be a
carbon-copy of someone (Marilyn Monroe) Jayne snapped back “Oh, but
I’m merely influenced by Marilyn! Artists in all fields have original
influences, then they go on to put their own individual stamp on what
they are offering” Quirke went on to ask her what her ‘original stamp’
would be and Jayne reportedly replied “Well, what with the Actors
Studio and stuff Marilyn goes in for, and her acting with Laurence
Olivier and all that, I want to strike out on the common trail, I want
to be the ordinary man’s conception of what a sexy, obliging,
comradely, down to earth girlfriend ought to be”
During her career Jayne Mansfield
trod eagerly in Marilyn’s footsteps but rather than achieving Monroe’s
status – Mansfield became known as ‘The poor man’s Marilyn’ taking
Monroe’s film role in the stage versions of both Bus Stop and
Gentleman Prefer Blondes. She also had a penchant for working with
Marilyn’s leading men such as Tom Ewell who worked with Marilyn in The
Seven Year Itch’ and with Jayne in ‘The Girl Can’t Help It’ and Tommy
Noonan who played Monroe’s love interest in ‘Gentleman Prefer
Blondes’
and with Jayne in ‘Promises! Promises!’ in 1963, which was also the
first mainstream Hollywood film to feature it’s female star – Jayne
Mansfield, in the nude – Marilyn was set to take this accolade in her
unfinished film ‘Something’s Got to Give’ with her naked swim. It was
also rumoured that Jayne tried to fill Marilyn’s shoes by having an
affair with John F. Kennedy.
Unlike Marilyn's failed attempts at
motherhood, Jayne Mansfield said in an interview that her greatest
title was that of ‘Mother’ having produced 5 children by 3 different
fathers; it was considered that Jayne was a devoted and loving mother.
Sadly however, like Marilyn Jayne met with an untimely and sudden
death. At the age of 34, on 29th June 1967, on her way to
New Orleans where she was to appear in a television interview, at
approximately 2.25am the car Mansfield was travelling in, along with
her chauffer, partner and three of her children, was in collision with
a truck. The adults were killed instantly, the children who were in
the rear of the car survived with minor injuries.
Rumour rapidly spread that Jayne
had been decapitated but this was untrue. A wig or possibly her scalp
was tangled in the car’s smashed windshield, and was evident in the
police photos, which gave rise to the speculation.
Sybil Saulnier
The French actress Sybil Saulnier (Anatomy of a
Marriage: My Days With Jean-Marc - 1964) indulged in a very Marilyn
look
Click on the links below
to explore the world of Marilyn Style and Influence!
Marilyn Inspired Celebrities Today
- From the obvious to the not so
obvious! Celebrities that have borrowed Marilyn's look and made their
fortune!
The Professional Bombshells
- The very best of the
Marilyn Monroe Professional Look-alikes of the 21st Century -
Thoroughly Modern Marilyns!
Do you look like Marilyn?
-
if you're inspired by Marilyn's style I would
love to feature you here on Loving Marilyn so please email your
details to me
shar@lovingmarilyn.com
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